Project: Disunion


Finally, after a few weeks I had the time to sculpt something new. I did this work mainly to stay tuned relating to anatomy and the human body while I was searching for a position as digital modeler. After I had done the human figure I couldn’t stop modeling and so I created the tentacle swinging around his body. This was one of these “lazy ass” ideas that comes into your mind at first, when you think about what you could add to make it more interesting. I have noticed that I have forgotten many technical subtleties and tricks that helped me on the modeling process. So it was time to go over these things again. I love doing that as much as I love the actual sculpting 🙂 The final rendering you see above was done in 3ds Max and Vray as render engine. The settings are very basic. There are two Vray and a directional light in the scene. The yellowish tint on the left and the bluish one on the right are coming from a HDRI, placed in the VRay environment slot. The rendering itself takes only a few minutes. As I noticed in some projects I did in the past, it’s sometimes not necessary to crank up all the render settings to highest quality. The noise that you get on medium settings can look good too. You save time on rendering and you don’t have to add it in post. The final look could be OK for first presentation but there should be much more space for better quality if I would work on the light setup and maybe on some maps for the model – next time…

Work Horse Zbrush


I did all the sculpting work in ZBrush. Last month I had the chance to work with the Autodesk Mudbox 2009 trial version. I think they did a good job on the new release. Some new features seem to be really great, assumed you have the right hardware that supports them. But overall I miss some tools that I use every day when I work in Zbrush, like the transpose tool for example. I hope that people at Pixologic are already working on crazy stuff like real-time HDRI lighting or viewport depth of field for the next release 🙂
On this project I was working with the same basemesh that I already used on all the other models that you can find on this website. If you should be interested in using it for you one project, go to the article section and download the free model. Delete all the subdivisions and use the smooth brush to get rid of all the details. The basemesh for the tentacle and the bowels was done in 3ds max – just simple poly modeling. As you can see in the screenshots, I have saved my one brush palette. Basically these are the same brushes as the standard once that come with ZBrush. I did just slight adjustments on the brush intensity, the brushmode, the falloff curve and the used Alpha map. During an early stage of sculpting on a low resolution mesh I use the Clay brush in combination with the standard brush. When I work on a higher subdivision level, a tuned flatten brush does a very good job. When I have to pose or rescale certain parts of the model, I use the transpose tool or the transpose master plugin. has just made a new download centre available, where you can download many of these useful tools. Sometimes I export the lowest resolution of the model and load it into 3ds max for really subtle changing. Make sure that you leave the vertices order as it is, otherwise your model will mess up when you import it back at the lowest subdivision in ZBrush.

Model: Haruto


This time I tried to record some parts of the modeling process. It was the first time I did this and I wasn’t confident enough to record the whole sculpting session. It feels like someone is constantly watching you… By the way the recording process inside ZBrush slowed down the viewport speed a little bit. I will try to record the whole process when I do the next sculpt. At the bottom of this break you will find ten minutes footage that shows me working on different part of the figure. To be honest, it’s quite boring, just simple pushing and pulling.

I stay on a very low resolution level as long as I can. The main shapes have to be in balance. Until I’m not satisfied with the overall composition and the way how the skull, thorax and pelvis relateing to each other and to the extremities, I don’t step up in subdivision. At this stage I work with the move and clay brush. Later, when something isn’t looking as good as it should, I come back to this lowres state and try to fix the error here. Keep an eye on the outline of your sculpture. The lines should “flow in rhythm”. It’s good to change the materials sometimes. Some of the Matcap materials are great for displaying fine details, with others it’s easier to concentrate on the overall form.


I start to refine the model on a higher subdivision level. You can call it detailing if you want, but for me it isn’t really detailing in terms of adding more and more details. Let me try to explain this: When you begin to hide certain parts of the model to focus on the arm, the feet or the head, only your work area becomes smaller. The hand on a higher subdivision level gets as big as the whole body on a lower subdivision level. That refers not to the size the model takes on the screen, but the way you look at it as an “artist”. I try to see the hand as a whole body for example. The fingernail is in relationship with the knuckle like the feet correlate to the knee when the whole model is visible. (I’m sure I could explain this much better if my English would be better…)

Download Haruto Turntable naked 7 MB (right click, save as)
Download Haruto Turntable Complete 7 MB (right click, save as)


I’m doing this modeling stuff for more than one and a half year know. I have learned all the anatomy stuff to a certain degree. I have tried to build a working pipeline from concept drawing to the final digital sculpture; from a rough basemesh to the final presentation. I am much more into art in general as I was it a few years ago… A few days ago I was jogging through the snow in the forest near our house. The mountains were tint dark red by the evening sun. They were glowing between the trees like coal in the fire. It was fucking cold. These are the moments where your mind is able to think completely clear. I could remember some people told me, that you can already see by the way my models look, that it is my work; that it is my style. I believe that should be foot for thought. I feel that style is sometimes nothing more than bad habits. In my opinion, parts of my models have my “personal style” when I stop trying to become better, to make it more realistic or more crazy or real or unreal; or whatever you want. Style is standstill. When I was back home again, I decided that I will try to forget all the rules and stuff that I have learned over the last years, start from scratch and make everything new. Reinhold Messner (mountaineer and explorer) wrote in one of his books: “Possession is boring. Only the challenge is important.”
Wish me good luck…

Interesting Links

I will post a few links on every new entry I write on this website. You will find here not only work from diverse artists but also any other stuff, that helped me doing the project and keeps me inspired and motivated. Maybe some of you will find something useful for your one project. mind blowing artwork by Jamie Salmon and Jackie K. Seo amazing portfolio of Miguel Angelo stunning portfolio of Mashru Mishu, great character sculptings! the most realistic digital girls I have seen so far by Lee Perry Smith great portfolio of Jelmer Boskma, beautiful renderings and very strong traditional skills Ryan Kingslien is one of the main forces behind the fusion of traditional and digital art.


  1. FabioPaiva says:

    Very good modeling and thoughts. Very consistent.
    I would really like to read more about the “style” subject.
    I love your works very much.

    Good luck mate…
    Great inspiration here.

    See you.

  2. David says:

    Wow! this is a great sculpt and thanks for sharing your workflow. Also could you tell us what UI plugin your using? Is it similar to mudbox’s lighting and materials?

    Keeping doing what you doing and best of luck with finding a new job.


  3. Mattia says:


    Compliments for this amazing work! Really… cool.

    I’m with you about MudBox 2009: is a good tool for sculpting, but not so completed and flexible like ZBrush. Maybe in the next version we can see more important improvements.

    Good work man!

    I drink a pint for you 😉


  4. Joker says:

    Very nice model!! And very beautiful website! 😉
    I’ll eat my hat if you don’t find a job!

    Just hang in there!

    See you at the weekend.

  5. popol says:

    it’s always a pleasure to check your website !
    Really nice modeling, beautifull anatomy, and cool character!
    Just one question what zmaterial are you using ?
    If it’s a custom one are you ok to share this one ?

  6. JT says:

    Mate, once again your work is fucking great! A great example of how a passion for art before the tools can ignite creativity. Thanks for sharing your techniques and videos too. I’m a beginner, seeing your work is very inspiring. Shall use your Arthur model as a base,
    Cheers! 🙂

  7. Malanjo says:

    Hey dude! I love the Haruto sculp! A classic approach to sculpting… I like that! Huge fan of your workdesign! Keep rocking! 😉

    PS:Thanks for the add on your “interest links”! 🙂

  8. dkdk says:

    Love your works! love that flesh-over-the-muscles feeling that have your models.
    For me your reel is the best I’ve ever seen, hope you get some supercool work where you can keep and improve (if possible) your outstanding sculpting skills!

    btw, would be cool if you can share your material or lighting setup when you sculpt, that matcap looks sooo mudbox… 😉

  9. Adam says:

    Great work man! I love the classical feel your pieces always have.

    You said you use the transpose tool for your posing, but it looks like you sculpt at least some in a relaxed pose. Could you expand a bit on your sculpting/posing process? Do you do something like pose at lvl 1, export for later, sculpt in relaxed state, re-import the lvl1 pose and touch up areas?

    I’ve heard people say they put the posed mesh on a layer, but wasn’t sure how that works.

    Thanks for any help and the inspirational work!

  10. Joker
    Selwy says:

    Thank you very much for the comments!

    David: It’s my one tweaked ZBrush standard UI. I have only removed the background gradient and made the palette color a little bit lighter than the original was. Maybe I’m going to share the UI interface one day 🙂

    popol and dkdk: I’m using the matcap materials created by Adam Lewis. He has posted them on a few months ago. Unfortunately the forum isn’t available any longer. A ZBrush Central member posted the following download link to the package: . Credit go to Adam Lewis for these amazing materials!

    Adam: I always start modeling in a “neutral” pose. So you can work in symmetry mode without any problems and on the areas that are maybe hidden in other poses. When I’m done with all the sculpting work, I step down to the lowest subdivision and start posing with the transpose tool. You can store a morph target to switch between the standard pose and the new one or you can pose the model completely on a separate layer. When you turn the layer of, the model will be in his initial pose again. You could store different poses on different layers if you want. Posing always requires some tweaking on the anatomy. Parts get stretched or compressed and you have to fix that by hand.

    Best regards, Selwy

  11. WLT says:

    I have seen your artwork so many times, and I still feel amazed right now. I am a student who is also learning anatomy and scuplture now. Your models are great stuff that i can learn from.If that ok.. Please give me critiques from my work, thank you!

  12. Klonsemann says:

    Im very impressed on your work. Always getting the highest detail out of a mesh resolution step.

    Hope you will get some rolls out of this.

  13. Pedro Amorim says:

    Hey Selwy,

    Any chance that you can share your zbrush UI ?


  14. Rafael says:

    Amazing stuff mate! Im a big fan of your works, such an inspiration for me 🙂
    I´ve got one question, on the modeling video, the “detailing the toes” part, you hide the whole body but the left foot, what kind of settings do you use to keep tweaking the mesh even when it is hide? I aways asked if there was a way to do it, and now I saw it on your video…

    thank you very much,
    Best Regards

  15. Matt says:

    Amazing work. I’ll be returning to your site.

  16. Sivaraja says:


    I am a character modeler from India.

    Your works are excellent.
    Your extreme understanding of anatomy is shown in your models.
    Your models made me to enhance my anatomy knowledge.
    The nose muscle model over the Skull is a good lesson for me.
    All the artists are thankful to you for publishing
    such models in Internet.

  17. Frell says:

    Selwy, im still searching around everywhere for these matcaps. Apparently every single link that has ever been posted to his matcaps are broken. Could you upload a few of your favorite, including the ones on your homepage please. I love the way they look and show forms.

  18. vijay kumar says:

    Amazing sir…i love your are simply super how do you get that realism to your sculptures?i am also intrested in learning this but i don’t know how and from where to to study anatomy i will be in confusion every time.please sir give me some suggestions.that would be helpful for me.

    thank you.

  19. Inspiration « says:

    […] one who often posts some great resources on his site. In particular I recommend you check out his post and time-lapse video for his sculpt titled “Disunion” (pictured). It’s a fantastic thing to watch. he […]

  20. Bonjour Tristesse says:

    Hello, I saw a photo of this posted on another site, and just had to come here to congratulate your excellent work.

  21. EMMAH says:

    i love you guys

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